G. K. Chesterton, London and Modernity is the first book to explore the
persistent theme of the city in Chesterton's writing. Situating him in
relation to both Victorian and Modernist literary paradigms, the book
explores a range of theoretical and methodological approaches to address
the way his imaginative investments and political interventions
conceive urban modernity and the central figure of London. While
Chesterton's work has often been valued for its wit and whimsy, this
book argues that he is also a distinctive urban commentator, whose
sophistication has been underappreciated in comparison to more canonical
contemporaries. With chapters written by leading scholars in the field
of 20th-century literature, the book also provides fresh readings and
suggests new contexts for central texts such as The Man Who Was
Thursday, The Napoleon of Notting Hill and the Father Brown stories. It
also discusses lesser-known works, such as Manalive and The Resurrection
of Rome, drawing out their significance for scholars interested in
urban representation and practice in the first three decades of the 20th
century.
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